SHORT FORM!

a work-in-progress program

SHORT FORM = theater/dance/dance-theater/puppet-theater/object-theater/installation
that takes place in less than 10 mins.

Curated by Brendan Regimbal and Peter Ksander

SHORT FORM is an interdisciplinary forum that gives artists from a variety of backgrounds including theater, performance art, dance and installation, the opportunity to test the boundaries of compositional performance and refine their own unique form and style by creating a small repertoire of four 10-minute performances that are thematically connected, but independent pieces of art. In November artists/groups were chosen to work in parallel for four months from January through April. Each month the artists will present a new short work to the general public. The artists will also meet once a month in private to discuss with each other and the program curators their aesthetic and technical plans as well as the challenges they are facing in the upcoming production. The program culminates in a weeklong festival-style presentation in May in the Ontological Theater.

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SHORT FORM 2008
DATES: Jan 26, March 1, March 29, April 26, and May 15--17
CURATORS: Brendan Regimbal and Peter Ksander

The line up:

FOUR OBSTRUCTIONS
Written and directed by Tina Satter
3 collaborators use one monologue to interpret the perfect human, an imperfect werewolf and doo-wop.

The Paper Industry:
SINE WAVE GOODBYE
Written and directed by Jamie Peterson
In which a man (M) discovers the truth about Sir Isaac Newton, undergoes a metaphysical adolescence and becomes an existential mechanic. 

The Plastic Arts:
[WHAT WE SHOULD JUDGE WHEN WE JUDGE...]
LONELINESS, LOSS, REGRET, REDEMPTION:
FOUR (4) LECTURES ON THE RECALCITRANT HUMAN CONDITION,
VIEWED THROUGH THE PRISM OF MODERN ART AS REFRACTED THROUGH
THE AESTHETIC OF THE ANCIENTS
(ON SENSATION)
Created by Jake Hooker, with additional direction by Meghan Finn
A solo performance/lecture with audio/visual aids on lyric Greek poetry trifurcated by personal ruminations.

The American Story Project:
WHAT I TOOK IN MY HANDS
Written by Stephen Aubrey
Directed by Jess Chayes
The hope, grief and genius of Charles A. Lindbergh; Trans-Atlantic flights, American myths, a son’s death, a metronomic human heart, time travel, and phantoms collide in a rapidly modernizing world



SCHEDULE
Thurs, May 15th at 7p.m: The Plastic Arts/The Paper Industry
Fri, May 16th at 7p.m: The American Story Project /Tina Satter
Sat, May 17th at 7p.m: The Plastic Arts/The Paper Industry
Sat, May 17th at 10p.m: The American Story Project /Tina Satter

$10 cash at the door, or reserve in advance here or by calling 212-352-3101.
Ontological Theater at St. Mark's Church, 131 E. 10th Street (at 2nd Avenue), upstairs

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SHORT FORM 2007
DATES: Jan 27, Feb 24, March 31, April 28 and May 17--19
CURATORS: Brendan Regimbal and Peter Ksander

The line up:

In THE MYSTERIES OF PARIS, Writer/director Normandy Raven Sherwood creates an episodic adaptation/response to Eugene Sue's 1843 serialized novel of the same title. Movement, pantomime and object theater collide.

In the multimedia work entitled IPH.THEN, writer/director Peter Campbell uses several versions of the Iphigenia tale as well as several contemporary sources, in monologues, dialogues, opera, choral interludes, dances, fragments, video, and interruptions.

BETWEEN THE SHADOWS, the latest by performance artist/director  Rania Khalil , is a multi-media collection of vignettes which combine physical theater, shadow puppetry and new media.  Aesthetically inspired by German Expressionism and Film Noir, it is an often playful, wordless exploration of war and apathy. 

The four pieces of FEVER DREAMS AND BLUE MORNING WHISTLES feature young actors as archetypal characters in four distinct, metaphoric worlds.   Creators Stephen Cedars and Christina Latimer explore ideas of loneliness, dependence, and the odd possibilities that exist behind the veil of the ordinary world.

FORM EQUALS NOTHINGNESS follows a throng of characters inhabiting a noh-influenced world, where the central player, Henry, is stripped of the delusion of identity. He progresses toward a turbid state of consciousness that penetrates him deeper at every turn.   Stephen Mosblech writes and directs.